Announcement

Hi everybody!

I’ve recently stopped “renting” and “bought my own home” — moving the blog to my own URL. As of today, no more posts here.

Plenty of new content at the new home, with a new look and all sorts of other new and exciting stuff.

Please update your subscriptions, etc. accordingly. I’d hate to miss you.

The URL is:

http://www.brickcommajason.com

I hope to see you there!

 

 

 

 

Review: Death Masks

So here’s the thing about Jim Butcher. He’s not a great writer. Jim uses phrases and vocabulary choices out of workshops for how not to imitate pulp writers. He’s straight-up B to B+ on a good day. Uses adverbs when simple description would be better. Chooses overly dramatic words like “gaze” and “horrific.” Tags his dialog with Tom Swifties, even when he’s not making a joke.

But.

His pacing keeps me reading, piling on the tension and the fun. His characters are deep and interesting, even though sometimes archetypical. He uses legend — ancient and urban — in a way that adds texture and meaning to his books. I like Harry Dresden. A lot.

In this particular episode, he’s up against the Forces of Evil in the form of fallen angels. Fights along side some bad-ass knights and ends up shutting down O’Hare Airport for a few hours. A romp through mythology and mayhem you just don’t see so much anymore. Jim’s having fun. I’m having fun. So what it it isn’t Shakespeare?

Death Masks ranks between Bite Me and Ned the Seal  on this year’s fiction reading list, coming it at #4 for the year. It’s likely I’ll binge read the next few Harrys, so in fairness I’ll probably treat the series as one entry going forward.

If you’re new to Harry Dresden, start with Fool Moon. The basic premise is as follows. Imagine the world posited in Harry Potter, with all its magic and supernatural skulduggery. Imagine an adult wizard living in that world. Imagine he’s a pulp noir P.I. in Chicago.

That’s all you need to know.

TPS Report

Accountability went well this week on paper, but was primarily the result of a hard push this weekend. I seem to be falling into the habit of waiting until last minute, treating this weekly blog post like a college term paper deadline.  I may need to address the system and find a solution to that. Or get more aggressive about making sure I schedule my week appropriately.

At any rate, weekly progress report.

  • 6 of 6 “chunks” of money-earning content written
  • 5 of 5 acts of marketing: arranging link exchanges, applying for work, blog comments
  • 2 of 4 units of work on blogs. This has been a problem, but it’s not work load based. I’m stalling myself.
  • 3 of 3 units of work on book and article proposals.
  • 2 of 2 sessions of administrative work.
  • 1 piece of education action: expanded my understanding of SEO
Thanks for listening.

Friday Fun: Harry Potter Day!

In about 30 minutes, my boy and I are heading out to see the new Harry Potter  movie. Although I wasn’t thrilled with #5 or #6, I’m excited. Like all good people, I’m a fan of the books. Even if they weren’t enjoyable and generally well done, we have Rowling to thank for single-handedly revitalizing children’s fiction.

In celebration, here’s a link to Harry Potter Humor. Some funny, some weird, a few not safe for work.

 

 

Cross Promotion

The publishers for my travel guide have been at it for a while, so they know how to promote a book. For example, my point of contact got an article in the Huffington Post about “Under The Radar Tourist Towns” featuring my location — Astoria — and other titles in their stable.

See it here: http://www.huffingtonpost.com/2010/11/10/post_583_n_780645.html#slide_image.

Several points make this a genius move:

  1. HuffPost is a major news website, meaning he got the word out to a passel of potential purchasers.
  2. The format made it so easy to write, he probably banged it out in half an hour.
  3. Because it’s a news source, it lends the message authority.
  4. Appearing in a news website positions the publisher as a travel expert.
  5. He might have gotten paid. Unlikely with the HuffPost, but the theory is sound.
I used to do similar when I ran a martial arts school, by writing self-defense articles for local newspapers and magazines. You see the major movie studios doing the same by turning their upcoming blockbusters into newsy pieces in the glossies and on TV.
Challenge for the day: come up with three ideas to get somebody to pay you for promoting your work. Write proposals and get paid for one of them.
Thanks for listening.

Accountability in the Clinch

I worked a 14 hour day to meet my accountability goals this weekend, and am finishing up with this post right here. This week:

6 units of writing, including 3 today.
5 acts of marketing, mostly emails and blog comments
3 units of work on my blogs (1 less than goal)
2 units of work on work proposals (1 less than goal)
2 sessions of admin work: scheduling and financial forecasting
1 education action — this week, I listened to a podcast on writing that’s not part of my regular routine

Close to done, and I got a lot of housework finished instead — including moving a hot tub three blocks with the help of loyal minions.

Thanks for being my de facto confessional and sounding board, and as always…

… thanks for listening.

Friday Fun: David Quammen

I want to be David Quammen when I grow up. He’s a professional writer who spent most of his life getting paid by magazines like National Geographic and Outside to go on adventures and write about them. He’s written about crows in Seattle, corpse fruit in the Pacific and hiking through the Congolese jungle.

More recently, he finished a fun and compelling biography of Charles Darwin.

Here we have him addressing Case Western University as part of the Darwin Year lecture series. It’s longer, but worth it. The man is as engaging a speaker as he is a writer.

Writing to Goal

I’ve written before about the writer as entrepreneur, and recently reviewed Penn’s Author 2.0, which also describes the entrepreneurial opportunities for folks in our profession. As publication changes, more and more of us will be writing our books as individual ventures, rather than as bait for large houses who will share only a small percentage of the profits.

This weekend, I had a chance to sit with an old friend and his wife, who had just been struck by an entrepreneurial brainstorm with real merit. We’ve spent four long conversations playing with the idea, and oddly enough they seemed to value my counsel.

On second thought, this makes sense. As a writer-entrepreneur I’ve conceived and launched more than a hundred ventures. Some have even been successful. I’ll be posting regularly on this topic, since it seems important to new authors — and seems there’s much less out there than on other writing concepts.

Today, let’s talk about the end game. Every idea you have — and here I’m talking about writing as a business, not only for pleasure — should be paired with an end. You can write to sell to publishers — they offer some strong value for the cut they take. You can write to bring in web traffic. You can write to woo your One True Love. Whatever it is, start every writing project with a clear idea of what you want it to do and be once you’re finished.

Take this blog, for example. I started it with no clear idea of its purpose, other than learning about blogging and creating an online portfolio. The early posts are all over the place in terms of tone and subject. As things progressed, it’s narrowed in focus.

What I want, primarily, from this blog is to impress potential customers. I hope these posts amuse and educate my fellow writers, but you’ll also notice that most of these posts are about…

  • How to behave professionally as a self-employed person.
  • How to turn out quality writing.
  • Dropping knowledge about the industry and about writing.
  • How important it is to treat clients well.
  • How much I care about what editors and other customers want.

I step out from time to time — for example, the Friday Fun posts — but my real goal is part of how I choose what to write. It’s also a part of how I write. You’ll notice I don’t swear as much in these later entries.

It’s easy to get caught up in the task of writing and lose track of where you want it to take you. Business guru Michael Gerber puts it beautifully by reminding clients to work on the business, not in the business. Write well. Write often. But keep your eye on the ball.

Thanks for listening.

Woot!

Just a note to share a personal victory. I read a horror story to my wife last night. Come morning, she complained that it was so creepy it kept her awake. Great for my writing. Not so great for marital bliss.

Fiction Reviews

Schlock Mercenary author Howard Tayler posts short reviews of the movies he watches, in the context of a totally subjective “Top Ten Movies I’ve Watched This Year” list. He updates it in real time, so you can see the changes as movies break current records, or slide off the bottom of the list.

I’ve mentioned in earlier posts how writers must read incessantly. If you don’t read, you won’t see what others are doing. You won’t stay current. You won’t succeed — and you won’t deserve to. So, for no reason other than I think it will be fun, I’ll be taking a page from Mr. Tayler and do a Top Ten Fiction Novels I’ve Read This Year list. I read about one a month, along with my podcasts, nonfiction, blogs, reports and ebooks.

For now, I’ll post the books I’ve read so far, in subjective order based on how much I enjoyed them. If I enjoyed books equally, I’ll fall back on craftsmanship as a tie breaker. Going forward, I’ll be doing reviews — and will soon post detailed reviews of the ones that have already made the list. As of today, I’ve read 9 fiction books since the new year.

#1: The Name of the Wind by Patrick Rothfuss. I touched on this earlier. Best fantasy I’ve read in a decade, and I re-read Lord of the Rings in 2002.

#2: The True Meaning of Smekday by Adam Rex. Young adult fiction. A hilarious romp through an apocalyptic earth during the weeks between two alien invasions. Twisted humor, and an interesting weave between narrative prose and graphic novel. Had me laughing out loud.

#3: Bite Me. Christopher Moore’s newest in his San Francisco Vampire series. Competent, funny and sometimes poignant. It would have ranked higher if Wind and Smekday weren’t so damn good — and if Moore hadn’t written this book twice before.

#4: The Adventures of Ned the Seal, an early effort of Joe R. Lansdale, is a weird masterpiece of steampunk alternative history starring Sitting Bull, Annie Oakley, Dr. Moreau, Frankenstein, Mark Twain, Jules Verne and martians.

#5: Sixkill. The late Robert B. Parker can be fairly accused of phoning in some of the later titles from his acclaimed Spenser series…but this isn’t one of them. It’s good for all the same reasons as the best Spenser, and puts Our Favorite Guy in a mentorship role again — one of the places I like him most. A fine finish to Parker’s career — though I would have liked to have seen Hawk and Paul one last time.

#6: Bad Blood, by John Sandford. I like Virgil Flowers, the protagonist in this book and several others in Sandford’s newest series. Good, tangled mystery with stellar dialog and plenty of violence. Like Bite Me, it would have scored higher if Sandford hadn’t written this story so many times.

#7: Devil Red. Ye mead-swilling gods, but I love me a Hap and Leonard novel. This is a recent addition to the Joe R. Lansdale series, complete with humor, introspection and copious kicking of ass. A weaker effort than Mucho Mojo, but still readable start to finish.

#8: Dexter Series, by Jeff Lindsay. I spent most of March working on home projects listening to the first four as audiobooks. I like the protagonist, and loved the series. Quirky and creepy, but weak on tension for a thriller…and I’ve kind of been over the serial killer thing since Thomas Harris ruined it for me with Hannibal.

#9: Rebel Island by Rick Riordan. I read this adult detective novel because of how much I loved Riordan’s Olympians series, and was disappointed. It’s on the top ten only because I haven’t read 11 novels yet this year.